Doctor Who 50th anniversary: The Day of the Doctor
Let’s get one thing straight before we go any further, John Hurt is not the name of the Doctor. I’m referring to all those people who tweeted that John Hurt was the Doctor’s name at the end of The Name of the Doctor. Phew, now we’ve got that out of the way we can carry on.
The day of the Doctor has finally arrived, with plenty of Who references it was a whirlwind ride. But did it live up to the hype?
The Day of the Doctor was certainly a thrill-seeking ride with sweeping shots of London much like in The Bells of Saint John. If fans were calling for a Doctor Who film then this is it. The Day of the Doctor celebrates not only all that is Doctor Who but all that is British. The show is quintessentially British and everything is celebrated. It is all richly interwoven.
Saying this, the episode was more for the fans than the casual viewer. While it is certainly a lavish production with a raft of special effects, it is somewhat alienating (if you’ll pardon the phrase) for someone who has not seen the show before. The location captions are tries to provide clarity but it is not enough.
But putting the casual viewers to one side, this hit the spot for fans. It satisfies the needs of the fans and feeds their hunger, as well as consolidating some of the show’s mythology. When the show was brought back in 2005 it was said that the Doctor was the last of the Time Lords and this episode addresses all of that and the 16 year gap when the show was off the air which was great.
I loved the references from the original Sixties intro to the fourth Doctor’s scarf. Tom Baker comes back right at the end and it is a delicious little addition and well played on Steven Moffat’s part. While the inclusion of all the incarnations – including Peter Capaldi’s Doctor-in-waiting – saving Gallifrey was magical. It was one of my favourite reveals and ties 50 years of Doctor Who past and present together.
Watching the tenth and the eleventh Doctor on screen was rather marvellous and what we’ve all been waiting for. They poke fun at one another and it is great to watch. Tennant is straight off the mark and it’s like nothing has changed, it is wonderful to see him return. They bounce off each other and have a strong dynamic, diverging at some points in their performance and at other times playing it the same.
But it is John Hurt who steals the show. He channels William Hartnell’s Doctor who is a grumpy, irritable old man. He is so watchable and not at all what we thought he was going to be. There is so much sympathy for him. There is also some great chemistry between Hurt’s incarnation and Billie Piper’s ethereal interface character.
We were given a slightly eccentric performance from Piper. She is a woman grown and not at all like Rose Tyler, Piper plays it like Suranne Jones’ version of the Tardis in The Doctor’s Wife. She is oddball and off-the-wall in her performance. She gives a mature turn that redeems those who did not like Rose Tyler.
Overall it is 75 minutes of crazy, fantastical Doctor Who and a fitting tribute for fans.Tagged in: David Tennant, doctor who, Doctor Who 50th anniversary, Jenna Louise-Coleman, John Hurt, matt smith, The Day of the Doctor
Recent Posts on Arts
- Vennart Interview and album stream: ‘This album is more focused on vocals and guitar rather than pounding your head and complex riffs’
- India’s old moderns keep the art auctions buoyant
- Scottish Book Trust: Ask the Illustrator with Debi Gliori
- Dialects: LTKLTL - EP Stream
- Charlie Barnes: More Stately Mansions - Album Stream
Latest from Independent journalists on Twitter