Never was the term “slow-burn” more appropriate than here. ‘The Fades’ has been progressing episode by episode, building up towards a grand finale which is certainly what viewers got.
Last Friday I went along to The Garage in Highbury, where UK rapper Lowkey was celebrating the launch of his new album. “Soundtrack to the Struggle”, released without major label support, has seen phenomenal success: on the day of its release it surged into the top 10 of the UK iTunes charts, and made similar waves in a host of other countries, including the US, Canada and Australia. “Too Much”, which has emerged as something of a lead single from this album, has also been played by Greg James and Zane Lowe of BBC Radio 1.
“You don’t really celebrate Hallowe’en here, do you?” asks Merrill Grant, my angel-voiced cabaret counterpart in Terror 2011 at Soho Theatre. I look up from the knife that I am idly grinding in order to eviscerate the plump pumpkin on the table before me, a dark glint in my eye. “Oh, we do…” I whisper, “We just take it a little more seriously than you do over there.”
Brighton Hip Hop duo Rizzle Kicks have been tearing up the airwaves of late, with hit single Down With The Trumpets. With the release of their debut album Stereo Typical, Ryan Bassil sat down with Jordan from Rizzle Kicks to chat about The OC, dream collaborations and the Brighton music scene.
Martin Dawson produces sublime house music of the highest order. Releasing his long-player Sunday Smoking to a great response earlier this year, he’s a very busy man – performing live shows and DJing, as well as a consistent output of new music both on his own and in collaboration with his music making friends (including British producer Glimpse). This week Martin is in the UK to continue an on-going project with Glimpse, and to play at a Halloween party put on by London promoters Potty Mouth. Before that though, he had to spare a few minutes for a chat with me…
As a drama, Treme has been described as meandering. And it has to be said, compared with predecessor The Wire, David Simon’s newer HBO series moves at a glacial pace.
No less than 40 minutes after today’s newspaper went to print, the Church of Scientology’s public relations department got in touch. They wished to respond to the request I had lodged earlier – seeking comment on reports that its employees had attempted to dig up dirt on the South Park creators Matt Stone and Trey [...]
Jesse Eisenberg rose to fame as the star of the highly successful and contentious film The Social Network. With the release of his film Holy Rollers, which tells the tale of a young Hasidic Jewish man being lured into dealing Ecstasy, he discusses his own upbringing, why he won’t be signing up to Facebook and the questionable movie scripts from his teenage years.
This year, one of London’s most important club nights celebrates 21 years since its inception. Trade was the capital’s first ever legal after-hours club, running parties at the now defunct Turnmills every Sunday. For many club goers it was the only place to go and carry on the party once Saturday night was over. Laurence Malice was the man behind this seminal event, overseeing the event every week and controlling the music policy, DJ bookings and promotion. Instrumental in the club’s progress and man with more than a few stories to tell, I spoke to Laurence ahead of Trade’s 21st birthday celebrations…
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