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We are used to seeing women digitally squeezed, preened and perfected, but to what extent are men subject to the same treatment in the promotion of blockbuster films?
By Natasha Culzac | Arts, Notebook | Wednesday, 5 December 2012 at 6:00 am
1An afterthought, in the aftermath of London, for Meadham Kirchhoff’s Summer of Hate
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