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	<title>blogs.independent.co.uk&#124; &#187; Bristol Watershed</title>
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		<title>Late September, and the discreet excellence of film-maker Jon Sanders</title>
		<link>http://blogs.independent.co.uk/2012/06/06/late-september-and-the-discreet-excellence-of-film-maker-jon-sanders/</link>
		<comments>http://blogs.independent.co.uk/2012/06/06/late-september-and-the-discreet-excellence-of-film-maker-jon-sanders/#comments</comments>
		<pubDate>Wed, 06 Jun 2012 09:31:31 +0000</pubDate>
		<author>Michael Church</author>
				<category><![CDATA[Arts]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Anna Mottram]]></category>
		<category><![CDATA[Bristol Watershed]]></category>
		<category><![CDATA[Chekhov]]></category>
		<category><![CDATA[contemporary cinema]]></category>
		<category><![CDATA[film]]></category>
		<category><![CDATA[Jon Sanders]]></category>
		<category><![CDATA[Late September]]></category>

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		<description><![CDATA[<img width="150" height="150" src="http://blogs.independent.co.uk/wp-content/uploads/2012/06/thumbnail-150x150.jpg" class="attachment-thumbnail wp-post-image" alt="Late September, and the discreet excellence of film-maker Jon Sanders, Arts" title="Late September, and the discreet excellence of film-maker Jon Sanders photo" />The discreet excellence of film-maker Jon Sanders is one of contemporary cinema’s best-kept secrets. But when his new film ‘Late September’ premieres at the ICA and the Bristol Watershed this month, that secret may finally come out. Like all Sanders’s work, it’s driven by a powerful subterranean emotional charge, but remarkably understated: only towards the end do you realise that it packs a Chekhovian punch.]]></description>
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