Comme Des Garçons
Visibility and viability: Rihanna does Comme des Garçons, Céline challenges superficially and Chloe clumps along
Rihanna was sat front-row at Comme des Garçons on Saturday afternoon. I’m uncertain why she was there – it isn’t something I would normally mention, but the incongruity of such a high-profile attendee at Comme des Garçons, hitherto the bastion of intellectualism, of substance over mere style, bears comment. What did Rihanna make of it all? I didn’t ask because, frankly, I don’t care. Comme des Garçons isn’t about the flashy, slightly trashy circus of celebrity dressing. Hence, perhaps Rihanna’s presence was some form of artistic statement, a kind of installation or performance piece? I wondered if someone, somewhere was laughing at her. Or maybe, if even Comme counts the column inches. Visibility, in today’s fashion game, seems next to godliness.
Kenzo chose to show their autumn/winter 2014 collection in the former Crédit Lyonnais headquarters. Symbolic, maybe, because menswear right now symbolises money in the bank for many a multi-billion fashion conglomerate. China is the motivating factor, where menswear sales make up approximately 55% of a luxury goods market set to become the world’s biggest (as compared to 40% on average worldwide). Hence the fact that the winter menswear shows seem bigger, more extravagant and more confident than usual. There’s buoyancy amongst the boys.
Paris Fashion Week Spring 2014: A soft Givenchy, a hard Chloe, a messy Céline, and the new Comme Des Garçons
A fashion week is an odd, fluid period of time. It can mean anything from five rammed days in London, the first hazed with jet lag, to the nine-day marathon of the Paris collections. We’re two thirds of the way through that, but there’s still much to see. Namely Miu Miu, Chanel, Marc Jacobs’ Louis Vuitton show, and the always-contentious Hedi Slimane at Saint Laurent. He closes the day’s proceedings tomorrow.
Latest from Independent journalists on Twitter