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		<title>A Monster Calls: Carnegie winner Patrick Ness deals with the subject of death</title>
		<link>http://blogs.independent.co.uk/2012/06/14/a-monster-calls-carnegie-winner-deals-with-the-subject-of-death-2/</link>
		<comments>http://blogs.independent.co.uk/2012/06/14/a-monster-calls-carnegie-winner-deals-with-the-subject-of-death-2/#comments</comments>
		<pubDate>Thu, 14 Jun 2012 12:30:59 +0000</pubDate>
		<author>Susan Elkin</author>
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		<category><![CDATA[A Monster Calls]]></category>
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		<category><![CDATA[Patrick Ness]]></category>
		<category><![CDATA[Siobhan Dowd]]></category>

		<guid isPermaLink="false">http://blogs.independent.co.uk/?p=25287</guid>
		<description><![CDATA[<img width="150" height="150" src="http://blogs.independent.co.uk/wp-content/uploads/2012/06/86214621-150x150.jpg" class="attachment-thumbnail wp-post-image" alt="A Monster Calls: Carnegie winner Patrick Ness deals with the subject of death, Arts" title="A Monster Calls: Carnegie winner Patrick Ness deals with the subject of death photo" />A book about dying, death, bereavement and coming to terms with loss has won the 2012 Carnegie Medal.]]></description>
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		<title>Reviewing skills should be taught in English lessons</title>
		<link>http://blogs.independent.co.uk/2012/05/15/reviewing-skills-should-be-taught-in-english-lessons/</link>
		<comments>http://blogs.independent.co.uk/2012/05/15/reviewing-skills-should-be-taught-in-english-lessons/#comments</comments>
		<pubDate>Tue, 15 May 2012 08:57:56 +0000</pubDate>
		<author>Susan Elkin</author>
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		<category><![CDATA[theatre]]></category>

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		<description><![CDATA[<img width="150" height="150" src="http://blogs.independent.co.uk/wp-content/uploads/2012/05/84101357-150x150.jpg" class="attachment-thumbnail wp-post-image" alt="Reviewing skills should be taught in English lessons, Arts" title="Reviewing skills should be taught in English lessons photo" />The best possible training for any sort of writing is to read as many examples of the genre written by experienced people as you can.  That way you absorb the conventions and possible approaches. You won’t write, say, a decent novel, play or poem unless you’ve read plenty of novels, plays or poems. And exactly the same principle applies to theatre reviewing.]]></description>
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