When I want to relax, I spend some time shooting people and things – often both at once – in a post-apocalyptic wasteland. Sometimes, I even do this in a video game, namely the subtle and magisterial Fallout: New Vegas.
I could spend a whole column rhapsodising on the brilliance of the Fallout series, and may yet do [...]
David Cameron on decision-making as prime minister, in his Mail on Sunday interview:
You’ll probably go through 20 policy submissions every morning and four or five will require a decision, and you won’t always get those right. But it’s very important you make them, otherwise the whole system grinds to a halt. If the leader doesn’t lead, [...]
“Professional chaos” is the term used by Big Narstie to describe the effect of combining both himself and True Tiger
“I get really bad stage-fright and nerves just before [we go onstage] because, I don’t know what’s going to happen. You don’t know if you’re going to break something of yours, if something’s going to stop working, if you’re going to break a limb, if you’re going to hurt somebody…” Matt “Butch” Reynolds, guitarist
This week, ‘Enter The Wu-Tang (36 Chambers)’, the debut album by New York hip-hop group the Wu-Tang Clan, turned 20 years old. Surfacing at a pivotal moment for the genre, the album marked a step-change in the sound of east coast rap for much of the next decade.
He doesn’t need much of an introduction but Lee ‘Scratch’ Perry is a pioneer of the reggae world and one of the most influential artist/producers to ever have stepped into a recording studio. Building an experimental studio in his back yard, in Jamaica, “Scratch” was the producer on early recordings for such seminal musicians as Bob Marley & the Wailers, Junior Byles, The Heptones, and Max Romeo. His estoeric, often bewildering approach to music resulted in some of the most dynamic, experimental and downright special music to have ever come out of Jamaica.
Making a name for himself firstly on the UK rap battle league ‘Don’t Flop’, now Lunar C is showing how much potential he has with the release of his EP, Good Times and Dead Brain Cells. He has had some major achievements, peaking at #2 on the iTunes chart and already releasing a song with the incredible James Arthur.
The days when DJs risked neck and shoulder injuries hauling stacks of vinyl to and from clubs may be long gone—with laptops loaded with mp3s and vinyl emulation software such as Serato having replaced the record bag—but a strong affection for those 12-inch black discs still exists among a sizeable number of the DJ and music collecting fraternity.
Despite it being the end of our unusually pleasant summer – Bestival was there to close the festival season and welcome Autumn in style this weekend.
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