Miu Miu gets trippy, Mary Katrantzou loves letters, Roland Mouret throws up. A last look at pre-spring 2015
Miuccia Prada enjoys having the final word. Perhaps that’s why she stole the pre-spring thunder, pitching up in Paris to show her Miu Miu collection on the eve of the haute couture collections and close the season. She does the same at the ready-to-wear, after all. On the other hand, maybe it was her acknowledgement of the new power of pre – the first ever, stand-alone Miuccia Prada-manned cruise show. It’s been dribbled into the menswear shows before, but this was a different thing entirely.
Given that shows, by and large, have scaled back from the flashy theatrics and set pieces of past fashion spectaculars, the quarterly reinvention of the Prada show space on Via Foggazarro is hotly anticipated by the fashion world. That’s because everything Miuccia Prada does about, around, before and after a collection is rabidly unpicked, scoured for hidden meaning. This season, Rem Koolhaas’ AMO created a space reminiscent of either a grand ocean liner or a suburban leisure centre, with a suspiciously cobalt-blue pool shimmering bedside thick, chocolate-brown shag carpeting and around the central pillars that are the only constant (they’re supporting, presumably).
JW Anderson’s pre-collections always bear further examination. That’s because he puts so much into them, these interim collections that have often been confined to pure commerce but which have recently expanded into fully-fledged designer statements. he puts a lot in, and reaps the rewards.
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