Designer doppelgängers, and the wonder of weariness: Versace, Emilio Pucci and Bottega Veneta in Milan.
Designer identity is a big thing in Milan. Here, they’re practically rock stars, their lives and collections dissected with fervid, sometimes morbid curiosity. Earlier this month, the Corriere della Sera newspaper published a letter from Stefano Gabbana to Domenico Dolce professing his love.
Donatella Versace wanted her show to be a celebration of the Versace World. Sounds like a grand statement, but you got it. Versace’s Cuban-tinged collezioni not only felt like a distinct entity from Dolce and Gabbana’s Caprice Espagnole, Neil Barrett’s slick sportswear tinged with Roman classicism, or Stefano Pilati’s serene Ermenegildo Zegna show: it felt a world apart, as did they.
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